"Performance" Canvas, acrylic 100x100
Odesa, 2019
"Tears of the subconscious" Canvas, acrylic 120x90 Kulmbach, 2023
"Thinking" Cardboard, oil 80x60
Odesa 2000
"Circus" Canvas, acrylic 100x80
Odesa, 2020
"Night" Canvas, acrylic 100x100Kulmbach, 2024
"Masquerade" Canvas, acrylic 60x80 Kulmbach, 2024
"Thoughts" Paper, sauce, sangina 80x60 Odessa, 2005
"Snow Queen" Triptych. Mixed media, 106x80 Odesa, 2016
"Affirmation of existence" Mixed media, 67x50 Odesa, 2016
My works are in different parts of the world: in the collection of the Museum of Modern Art of Odessa and in private collections in Ukraine, the USA, Germany, Israel and France. It is the highest reward for me to see that my works are viewed and appreciated by people
My works are a reflection of my worldview and feelings. I feel that each of my paintings is a piece of my soul that is expressed through colors and lines
Regarding my education, this path was not traditional, but logical. My professional education began at the Izmail Art School and the workshop of artist Volodymyr Dudnyk. She then studied at the Faculty of Philosophy of the Odesa National University named after I. I. Mechnikov and at the same time in the workshops of such famous Odessa painters as Serhiy Belik and Yuri Yegorov.
After that, already having the experience of my first exhibitions and a higher education, I graduated from the Faculty of Painting of the Odesa Art School named after M.B. Grekov, as well as postgraduate studies at the Odessa National University named after I.I. Mechnikov, majoring in Philosophical Anthropology and Philosophy of Culture.
Later, my research focused on the theory and history of culture, which led me to a PhD in cultural studies. Currently, I work as an associate professor of the Department of Cultural Studies and Philosophy of Culture at the National University "Odesa Polytechnic". I combine teaching and research activities with creativity with pleasure and inspiration.
I consider artistic experiences and impressions as a condition for acquiring new energy, a certain catharsis. I combine tradition with innovation to create something special and inspire my viewers to a new sensory experience. That is why my work is a synthesis of traditional techniques and the latest artistic practices.
I use expressive bright colors, energetic lines and various textures as an artistic language through which I can talk about my own experiences, my research, my views and my feelings.
I consider artistic experiences and impressions as a condition for acquiring new energy, a certain catharsis. I combine tradition with innovation to create something special and inspire my viewers to a new sensory experience. That is why my work is a synthesis of traditional techniques and the latest artistic practices.
I use expressive bright colors, energetic lines and various textures as an artistic language through which I can talk about my own experiences, my research, my views and my feelings.
DIMENSIONS OF SENSUALITY ART PROJECT AT ART CLUB GALLERY (ODESA, UKRAINE). 2016
ART PROJECT "PARAGRAPH 24". TURBINENHAUS (KULMBACH, GERMANY) 2023
"9 LIVES OF ANNA KARENINA". ODESSA ART MUSEUM (ODESA, UKRAINE) 2015
PARTICIPATION IN ALL-UKRAINIAN AND REGIONAL ART EXHIBITIONS OF THE NATIONAL UNION OF ARTISTS OF UKRAINE (KYIV-ODESA, UKRAINE). 2002 - 2021
CURATOR'S PROJECT "I HAVE THE RIGHT ...". ODESSA MUSEUM OF CONTEMPORARY ART (ODESA) 2013
Shchokina O.P. HUMANISM AND THE IDEA OF "MAN" IN THE PHILOSOPHICAL INTERPRETATIONS OF AVANT-GARDE ART / O.P. SHCHOKINA // HDADM BULLETIN. - No. 2, 2020. – P. 85-93.
Shchokina O.P. INTUITION AND IRONY AS MEANS OF KNOWLEDGE IN THE THEORIES OF ARTISTS OF THE UKRAINIAN AVANT-GARDE AT THE BEGINNING OF THE 20TH CENTURY / O.P. Shchokina // DOXA. - No. 2 (33), 2020. - P. 134-142
Shchokina O.P. PHILOSOPHICAL AND CULTURAL JUSTIFICATION OF DESTRUCTION IN THE TEXTS OF UKRAINIAN AVANT-GARDE ARTISTS // NAUKMA SCIENTIFIC NOTES. HISTORY AND THEORY OF CULTURE. - No. 3, 2020. – P. 125-132
Olena Shchokina: A BREAKTHROUGH IN THE XXI CENTURY
"SMUTNAYA ALCHBA – 2": OLENA SHCHOKINA
We have been living in the 21st century for ten years. Of course, you can not trust dry numbers. Historians are convinced...
Interview with the artist Olena Shchokina as part of the project "Smutna Alchba - 2".